Check out Vocalise (Transcriped by Sergio Fiorentino) by Sergio Fiorentino on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. Lyrics to ‘Vocalise, Op. 34, No. 14’ by Sergio Fiorentino. Vocalise – Transcriped by Sergio Fiorentino. By Sergei Rachmaninoff, Sergio Fiorentino. • 1 song, Play on Spotify. 1. Vocalise – Transcriped by Sergio.
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Retrieved 2 April The first chord in bar 8 for example is ‘thin’ but I have not found a solution yet I love his Franck CD. I hope you are able to meet and beat the formidable challenges of this beautiful work.
In the intervening years his playing had matured, fiorention he drew admiration from such luminaries as Michelangeli and Horowitz.
AdminGlobal ModMod. Maybe it’s in Piano Fiiorentino 3 – which I don’t have a copy of but could get. The same dated sound applies to the transcriptions. In Fiorentino withdrew from the concert stage in order to devote his time to teaching. But I guess no one’s perfect. Originally posted by Lisztener: I’d love to learn it but agree the “real” version is a not accessible fiornetino this point.
Unsourced material may be challenged and removed. If you don’t know, there is actually a video of him performing his version: Despite each Prelude’s brevity, in his hands they stand alone, individually characterized.
More by Sergei Rachmaninoff
Here is Emil Gilels playing Alan Richardson’s transcription. My piano teacher tells me I put classical musicians too much on a pedestal; the book served to remind me that, at least for one orchestral musician, the music business is not all it’s cracked vocalisf to be. Thank you for sharing that.
It was sadly cut short by his sudden death on 22 Augustaged seventy. Please Support Our Advertisers. To tell you the truth – this piece is my first or second Rachmaninoff. Follow us on Twitter.
I’ve played Earl Wild’s arrangement and enjoyed it a lot. Movie and piano recording by Jitin.
This woman’s eyes were startling. I presume ‘Johann Walde’ was another of Barrington-Coupe’s creations. Under the least romantic of circumstances, he meets a Polish widow Maja Komorowska who paints, bakes pastries, cares for her invalid mother and is equally haunted by the past.
Please Pass It On! Here is another interesting performance I found this morning. Secondly, I would like to share this beautiful wordless vocal piece no doubt inspired by Rachmaninoff’s.
Rachmaninov’s Vocalise – Piano World Piano & Digital Piano Forums
The ravaged look on his face voxalise you he can’t let go of what he experienced during the war and that he’s looking for some form of emotional rescue. Once I was in my car, turned on the FM, vocslise “Lilacs” had just started. I hope she posts more videos of her piano performances on YouTube, and I hope to be able to attend a recital of hers the next time she comes to California. Then one day, I heard Vocalise, and I said to myself – this is it – the dream was no dream, it was a real experience, and, this is the melody!
By the end, I felt as though I’d been taken on a vvocalise. For four years he was laid low in a limbo and took up teaching. Please Pass It On!
Later he attended master-classes with Carlo Zecchi in Salzburg. Fiorentiino, unusually, recorded both sets of Preludes plus the Op.
His friends described him in glowing terms.
I noted that while the rendition was technically superb, it seemed a bit too businesslike and straightforward for me. A dinner scene in which Komorowska drags out a Polish-English dictionary, the absurdly rude first meeting of the lovers, the lovers’ comic triumph over unhelpful translators – each moment is so beautifully played that the actors seem to have been instantly typecast.