Key words: Borislav Pekić, Expressionism, the destruction of reality, the form in . in Pekić’s trilogy: Besnilo, Atlantida, and (Rabies, Atlantis, and ). Borislav Pekić (Serbian Cyrillic: Борислав Пекић, pronounced [bǒrislaʋ pěkitɕ]; 4 February .. , novel, Ljublijana, Zagreb: Cankarjeva založba and Belgrade: Književni glasnik, NIN, Godine koje su pojeli skakavci [“The Years the. Metaproza–čitanje žanra: Borislav Pekić i postmoderna poetika. _> ; #
|Published (Last):||15 February 2010|
|PDF File Size:||4.28 Mb|
|ePub File Size:||17.45 Mb|
|Price:||Free* [*Free Regsitration Required]|
Shane Weller New York: A large body of his work was, and continues to be, published posthumously: He incorporates the accident of individuality into the totality that constitutes the world.
Svako uspelo delo ostvaruje svoju stvarnost. Adorno, Aesthetic Theory, trans.
pfkic The fourth volume was published in In fact, Expressionists envision the destruction of the old as the prerequisite for something new. Rabies was published in Spanish inand Hungarian inand Atlantis in Czech in Remember me on this computer.
Linked Data More info about Linked Data. Bodislav it is precisely because the narrative mode of representation is so natural to human con- sciousness, so much an aspect of everyday speech and ordinary discourse, that its use in any field of study aspiring to the status of a science must be suspect.
Znanje,; Novi Sad: Benn vehemently and persistently highlights the pure Ausdruckswelt world of expression and extols “the shift from content to expression, the cancellation of substance in favor of expression. Since on my manuscript there is an invisible warning: He does not accept, he seeks.
Of course, any given text can have multiple interpretations depending on many factors. He does not describe, he experiences. Please enter recipient e-mail address es. It does and it does not. Both were involved with inventing a new artificial language, characterized by distortion, montage, dissonance, and intensified abstraction.
In he sent the boislav of Kako upokojiti Vampira “How to Quiet a Vampire” to an anonymous literary competition. Cincari ili korespondencije Beograd, AteljeB. Cornell University Press,5.
Borislav Pekić – Wikipedia
In art, form is everything. Serbian View all editions and formats Rating: The question re- mains open whether pessimism brought about my themes, or caused my pessimism—or, is there a case of a “happy” interaction—but how much spiritual authenticity is there in all of that, and how much, perhaps, does one deal with professional adaptation to borilav artistic imagination, some future books of mine could clarify that.
Since art is an aspect of synthesis created from experience, and my pessimism is synthetic. Slovo Ljubve, ; zajedno sa novelom Obrana i poslednji dani: As is clear from the titles, each section treats a particular type of destruction: Eine Idee bei Friedrich Nietzsche und im deutschen Expressionismus.
Books by Borislav Pekić
S Wikipedije, slobodne enciklopedije. Prosveta, ; Beograd: Bodislav Sotie, Translated by Stephen M. And any pondering is destructive and every such deliberation must reach its death point. For then literary pondering—as any anthropological one—ex- presses its effort to overcome death via understanding, reconciliation, re- volt, rejection, resilience or metamorphosis.
Viking Penguin, The name field is required.
Borislav Pekić (Author of Besnilo)
Criticism, interpretation, etc Additional Physical Format: However, he recognizes the interaction between life and art. It is this principle idea that informs the entire novel. Your rating has been recorded. O prozie Borislava Pekicia.
Vietta, Silvio and Hans-Georg Kemper. Solaris, ; Beograd, Laguna, Atlantidaepos 0,2 toma, Zagreb: Artistic is the attempt of Art to experience itself as meaning within the general decay of all meaning, and to form a new style out of this expe- rience; it is the attempt of Art to oppose the general nihilism of values with a new kind of transcendence, the transcendence of creative pleasure.
Thomas Anz and Michael Stark Stuttgart: Ovaj roman je What are we to do with the second part of the title of his second princi- ple: Institut za suvremenu povijest, Kako zabavljati gospodina Martina u Antologija srpskih radio drame od M.